Saturday, June 16, 2018

Looking back on housiversaries past

As we were having the traditional sparkling and Doritos and looking over the Moleskin(TM) diary on the front lawn yesterday evening, Scott and I found we were vague on our activities on previous housiversaries. That was just a warm-up to getting serious about mudding and taping, which I swear I'll be recording later. But this evening, it's all about documentation so here, dedicated blahdeblah readers, are links to the online descriptions of years past. I can only say, we used to be slackers:


Housiversary 2010: Ordered bulbs!

Houseiversary 2011: Went to the beach; made one low-grade screen

Housiversary 2012: Got serious about things; cork flooring installed 

Housiversary 2013: Door by the patio, round I

Housiversary 2014: Seriously serious; replacing the second porch column

Housiversary 2015: Quarter round, furniture shifting, and revisions to the patio door

Housiversary 2016: The start of the proper screens

Housiversary 2017: Drywalling, round II upstairs

Friday, June 8, 2018

Let's not make a charity about it

It seems that all of May came and went without me writing a single post. No great loss, perhaps, to the greater world but still a little disquieting to me. And it's not like I've got so much I intend to record here tonight; it's more a waving-not-drowning sort of fly-by visit.

 I finished The Girl Who Smiled Beads a few nights ago; it is, for now, my "outside your bubble" book for this year's Seattle Public Library/Seattle Arts & Lectures book bingo. Possibly if this year included the "book you bought for its cover" square it would be going there; I really like the cover design. It's one of the books I bought at Magnolia's Bookstore on bookstore day. In fact, I've just realized, that I've read all three books I bought there and the Julian Barnes picked up at Queen Anne Book Company just before; I'm practically working my way through those stacks in chronological order. Of course, the Mavis Gallant I read just before The Only Story was from Ravenna/Third Place Books, which we reached at twilight on bookstore day so, on reflection, it all falls apart. Never mind. 

 None of which is what I meant to put here. No, I have sort of mixed feelings about The Girl Who Smiled Beads; the acknowledgments are so gushing and fulsome while the Clemantine in the body of the book is angry and frequently confrontational. She also knows how to appear to be whatever the person in front of her wants her to be so one wonders who wanted those school girl acknowledgments. But possibly feeling a little knocked off balance is the least I can do after vicariously experiencing the hell of the refugee existence. So, I donno about the book as a whole. But I know that some parts resonated a great deal including this bit:

I've seen enough to know that you can be human with a mountain of resources and you can be human with nothing, and you can be a monster either way. Everywhere, and especially at both extremes, you can find monsters. It's at the extremes that people are most scared--scared of deprivation, on one end; and scared of their privilege, on the other. With privilege comes nearly unavoidable egoism and so much shame, and often the coping mechanism is to give. This is great and necessary, but giving, as a framework, creates problems. You give, I take; you take, I give--both structures create a hierarchy. Both instill entitlement. 
     The only  road to equality--a sense of common humanity; peace--is sharing, my mother's orange. When we share, you are not using your privilege to get me to line up behind you. When we share, you are not insisting on being my savior. Claire and I always looked for the sharers, the people who just said, "I have sugar. I have water. Let's share water. Let's not make charity about it."

 from pp 177 - 178 of The Girl Who Smiled Beads

So I'm not fussed by Samantha Bee's use of "cunt" because that sort of drama is just manufactured nonsense. But people who can see and express the nuances between "giving" and "sharing" (sort of like the bit in Brighton Rock about the difference between "good and evil" and "right and wrong.") -- now they are onto something meaningful.